From Right to Left:
Suspension, 1946, Etching on paper, 9 ¾ x 14 ½ in., Ed. 21/30
White Scaffolding, 1946, Etching on paper 13 ½ x 9 ½ in., Ed. 8/30
Indicative Displacement, 1947, Etching on paper, 10 x 16 in., AP
Passage Tension, 1945, Etching on paper , 12 x 14 ½ in., Ed. 1/1
Bearings in Transition, 1947, Oil on Masonite, 26 ½ x 23 in.
Drawing for Bearings in Transition Series, c. 1947, Graphite on paper, 15 5/8 x 12 in.
Aqua Black, 1945, Etching with aquatint on paper, 8 ½ x 10 in., Ed. 1/10
Orientation of Closed Forms, 1945, Etching on paper, 15 ¾ x 9 ¾ in., Ed. 13/20
Labyrinth of Closed Forms, 1945, Etching on paper, 9 x 12 ½ in., Ed. 10/20
Deep Sound, 1947, Etching on paper , 13 7/8 x 15 7/8 in., Ed. 6/25
Ghost Mark, 1949, Etching on paper, 15 ½ x 9 ¾ in., Ed. 16/25
March Time, 1950, Etching with aquatint on paper, 13 ¾ x 17 5/8 in. Ed. 12/25
Double Idiom, 1946, Etching on paper, 14 ¾ x 9 ¾ in. Ed. 24/25
White Burden, 1946, Etching on paper, 8 x 15 ½ in. Ed. 9/30
Ellipsis, 1946, Etching on paper, 13 ½ x 9 ½ in., Ed. 4/25
Drawing for Etching “March Time,” 1948, Graphite and pastel on paper, 9 x 11 7/8 in.
Interference of Closed Forms, 1945, Etching on paper, 11 ¼ x 13 ¼ in., Ed. 11/20